All Your Days
All your days you have longed for something you cannot name, reached for something beyond your grasp, hungered for something that didn’t exist. As time sped on, sped on, sped past, you tried to hold on to what didn’t last, and now that your time is running out you are no more than when you began, and yet this life of going nowhere, this life of a cistern that never filled, you would not trade for purple robes, you would not trade for riches or fame, and never, not once in all your days, did you stop loving this life you made. Rousseau's Last Painting This could be Eden, a realm of exotic, lush vegetation, but the tree of knowledge is missing, the snake that tempted Eve slithers from the canvas, and a black man, his loins brightly masked, replaces Adam. This could be Paradise, its fruit forever unspoiled on the orange tree, wild beasts peacefully commingling, hypertrophic lotuses perfuming the air, the enchantment of birdsong and a flute’s silvery sighs. This could be a dream, the imagination’s longing for the impossible: a classical nude on a red divan transported to a primeval jungle. A lion’s wide-eyed gaze invites you in. You are the viewer. You are the dreamer. The Death of the Poet Li Po Some say it was the wine. Some say it was love, the moon smiling up at him from the river. He was drunk. The boat was tipsy. He stood, aching to embrace such loveliness forever. The stars looked on. The lapping waves were dancing. Leaning out over the gunwale, he toasted his image, which lay now beside the moon’s face, and drank again. The sails billowed and the little craft rocked him forward. He could not deny himself. He reached and reached until the river opened its mouth and drank him. The boat was lost in the blackness. The beach was miles away. This was Li Po’s last line. Some say it was love. Some say it was the wine. Japanese Cherry Blossom Such abundance of a nothing weight!-- each blossom fully opened yet holding on. Now a squirrel dances, thin limb to limb and the whole tree shivers. And now a cardinal alights in his swashbuckler’s habit to breakfast on a delicacy. Tomorrow the wind will begin its scattering work and it will rain pink petals for a week. As reverie follows bliss, green will follow pink. And green can live for months on memory. After Fire Above a ruin of trees, crows stream. There is music in their wings, a peculiar lilt to their fragmentation of grief. The moon balances on a blackened branch where, of late, an owl sat. Deer have scattered. Where did the squirrels and voles hide? Their prints mark the ashen ground like hieroglyphs. Now the wind comes to soothe. From nowhere, a cardinal blazes—a red gash on a black canvas, so beautiful the stars cry. The Parrot-Ox The parrot-ox is clearly confused, as evidently so were his parents. Being both heavy and light, he can neither fly nor root, which makes his life a kind of hovering between two things that cross each other out. All play is work, all drudgery is sport, and so he spends his days busily doing nothing, circling square fields of thought like a practical idealist. At night he holds forth in a neighborhood bar in his undertaker’s suit and Indian headdress. He drinks to sober up and tell again the sad joke of how we die at birth into opposites. And then he laughs till he cries and cries till he laughs, sorrow and joy mixing it up in his blood. Vows for the New Year I will ride the day to new places, reclaiming my child’s wonder: a buttercup’s reflected face, the fallen star of a lightning bug, the baton of a happy dog’s tail. I will smile easily and often, hug the shoulders of each passing second knowing it will not come again. I will cultivate deserts, bend sunlight to glister off sad highways. I will make food my friend, not my lover. I will walk three miles every day and greet my neighbors. At seventy I will honor the body’s complaints, forgive mirrors their honesty. I will wear gratitude like a red coat, forbearing the shifting seasons of hope and doubt. Yo-Yo If God is energy, I sit in God's hand. I ride a thread of desire-- my own--and not my own. Longing spins me out. There's genius in moving. In dips and arcs I thrill to the latitudes of air. I love an unmapped country-- my spirit spooling away from its body, dancing at the end of a string. Habit winds me home. It is good to rest in the ring of myself. There's genius in stillness. A river would never insist that the life of its banks bow to its great body or that the earth yield to its hunger. It would never presume to swallow rocks, trees, towns, humble the stars or proselytize to fish. Time has show it the way all things follow on their own. Not noun, as we suppose, but verb. “It’s all flux!” Heraclitus proposed by stepping into a river twice. It has no motor of its own; it goes by letting go and never stops to question what greater power pulls it, or what moods its marriage to the elements will expose. It gushes, streams, walks in its sleep, gallops, leaps, trusting in the alchemy of moon, tide, weather. |
Soloist
Like an ornament at the apex of a clay roof a single bird will perch, lord of the highest view. This morning it’s a dove dissolving against the soft grey of an overcast sky. Better than high branches or high wires, here he is a soloist, rooster of the skies, loosening his six-note aria on the empty street below. From my open window in an adjacent building, I sit watching, listening to his abandoned heart, thinking, this is the way a poem writes itself, note by solitary note on the prevailing air. The Return When the egret returned to the cove in March she took it as a sign. How it kept walking out of itself and emerging whole from its hunger. It was a clear morning, the cherry tree shaking into bloom over the tannin-stained river. All winter she had been stuck as if at the bottom of an abyss waiting for spring rain to pool and float her up. Now this: the sun pouring in and the waking wind; the egret pulling the legs of the tide into her back yard where the cherry tree bends to admire itself. These were ladder rungs. So she climbed. And the egret tucked the S of its neck to its breast, unfolded its white wings like an offering of good news, and lifted into a gold-spattered, infinite blue. The Egret He stands above his inverted brother like loosely seamed halves of a heart. The beak that breaks water, flipping silver, might be a kiss. To kiss one’s own mouth in green mirrors, stabbing at love to swallow death! How we die to love ourselves through each other, a desperate applause of clapping flesh that leaves us stinging, bereft-- like, now, the egret who rises, who drowns. June Birds Almost everyday now it happens-- that splat against glass. Seen from outside, these large windows of my stucco house float a mirage of trees and sky’ like rooms mirrored to repeat themselves. How they repeat themselves! Since sunup, a party line of old news ricochets, tree to tree. Now one sounds his single song from the elm; distant pines are a choir of mimicry. Like lovers constantly needing to reassure each other, themselves, they give to get back. Only the pitch, the emphasis alters, as in: “I love you”; “I love you.” Any phrase, repeated enough, is a small death. Undressed and jeweled in white, I find them silent in bushes, in beds, or sometimes, on the cement steps, only dazed and leaking burgundy under the belly. Daft by the berries’ wine, June days they sail blind. Lured by the bird that blooms on a pane of glass, like the body’s echo soaring back into itself, they break whole on impact. Loving you is like that. How to Start a Day Begin by letting go of the hem of your dream. Let it slip backwards into a black lake as you greet the dawn. Be thankful for small aches. You have survived night’s heavy arms to wash yesterday from your face. Begin to create the opus of a new day. Look out from a kitchen window as you savor a first cup of coffee. House wrens flap at the feeder. A squirrel dances osiers so that the willow shakes with laughter. Be thankful for the small favors of sunlight walking across the lawn, a cabbage butterfly teasing the azaleas, the pink rain of cherry blossoms. Even the neighbor’s dog barking ducks from his yard is sacred. Open to morning’s hymns: the big mouth of the garbage truck, the mockingbird’s purloined songs, chatter on the corner waiting for the yellow school bus. The engine of the day purrs in your throat as you dress. Sweep your calendar clean of doctor appointments, chores. The vacuum and the duster can wait. Let the day surprise you. Be thankful to be who you are. The Long Life There is no other that you are waiting for. Everything you need is within your reach. When the towhee sings his name in the maple tree outside your window, sing back your name. The wind will carry it downriver to distant estuaries. Think of how hard you have had to work to get to this moment, how many soles you have discarded along the way, how many moons have waned like shuttered lanterns. Now you are light inside. Now you have cast off parents, children, a house, expectations, demands, politics. You have earned the right to be self-ish. Be like the heron who stands on the glistening shoreline tucked into her wings. Roam the countries in the two continents inside your head. Speak to the natives, all those people you have been and are. All you have to do is listen. How We Happened You arrived like a letter forwarded to a wrong address, like a dog’s nose to the ground seeking its way home, like the last peach on a tree, or a stone skipped across water to land safely in the palm of a leaf. You came out of a seeming nowhere like a slow-developing sheet of film; like a fledgling, fanning the air from the lip of its nest; like the sun, at day’s end, content to bleed into a purpled horizon. Like a bet decided on the flip of a coin, Heads, you called. And I answered, the way mourning doves volley songs through a stand of pines, a bounced ball returns to a child’s hand, or a stray shadows a boy’s heart to a door. Like a trumpet vine to a hummingbird, I invited you in. Stay! I said, Stay like a rock washed smooth by a river. And you did. |